Santiago, locaciòn comòn: La ciudad en el cine Chileno posdictadura

Marcelo Vizcaíno; Claudio Garrido

doi:10.4067/S0717-69962015000300014

Santiago, locaciòn comòn: La ciudad en el cine Chileno posdictadura

Marcelo Vizcaíno, Claudio Garrido

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Resumen

When portraying the contemporary city, film has the capacity of proposing images that, due to the massiveness of the format, become common. Based on the idea that film generates discourse, this article analyses Chilean film production in a post dictatorship period to seek for those images of the city that, by repeatedly appearing on the big screen, end up generating Santiago’s common imaginary.

Título traducido de la contribución	Santiago, a common location: The city in post-dictatorship Chilean cinema
Idioma original	Español
Páginas (desde-hasta)	94-101
Número de páginas	8
Publicación	ARQ
Volumen	2015
N.º	91
DOI	https://doi.org/10.4067/S0717-69962015000300014
Estado	Publicada - dic. 2015

Palabras clave

Fiction
Identity
Imaginary
Landscape
Urban scenography

Áreas temáticas de ASJC Scopus

Conservación
Arquitectura
Artes plásticas y escénicas

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10.4067/S0717-69962015000300014

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abstract = "When portraying the contemporary city, film has the capacity of proposing images that, due to the massiveness of the format, become common. Based on the idea that film generates discourse, this article analyses Chilean film production in a post dictatorship period to seek for those images of the city that, by repeatedly appearing on the big screen, end up generating Santiago{\textquoteright}s common imaginary.",

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KW - Identity

KW - Imaginary

KW - Landscape

KW - Urban scenography

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Santiago, locaciòn comòn: La ciudad en el cine Chileno posdictadura

Resumen

Palabras clave

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