Posibilidades dialógicas de la visualidad poética en Calamina de Gladys González y Puentes de Alicia Genovese

The main purpose of this article is to explore the poetic interrelations between image, place and intimacy as dialogic policies in the books Calamina by the Chilean poet Gladys González (1981) and in the poetry book Puentes of de argentine poet Alicia Genovese (1953). Although these are differentiated proposals in their different levels of form, we think that there is a border area between both that allows us to make a reflection on the possibilities of the visual in the construction of the poetic image and also on the place of enunciation as a politic of dialogic. The relationship between poetic image and place of enunciation is made from the notions of dilogy, alterity and poetic image. The article argues that the development of a more visual poetics in both poems, is due to the symbolic double imaginary that the look and poetry. This makes possible a “visual effect” of the writing that crosses the borders between the image, the place and the intimacy of the poetic enunciations, causing the destabilization of space patrimonies.