Pintura colonial andina

Estructura simbólica y sincretismo

Resultado de la investigación: Article

Resumen

Andean painting, as a characteristic form of colonial art in the central Andes, constituted an art that was primarily symbolic. Surrounding hierophantic symbols, a medium for the reproduction of the operation of ornamentation was made available in which the exploration of the fundamental structure of the medium of meaning was put at the service of the observation of the transcendental dimension of reality. As a structure of intercultural communication, this mode of organization of communication through images made possible the occurrence of processes of iconographic and stylistic syncretism, which have been the main object of interest in the social history of colonial Andean painting.

Idioma originalSpanish
Páginas (desde-hasta)153-169
Número de páginas17
PublicaciónAtenea
Volumen1
N.º512
DOI
EstadoPublished - 1 ene 2015

Huella dactilar

art
syncretism
intercultural communication
social history
symbol
organization
communication
Art
Colonies
Syncretism
Symbol
Social History
Communication Mode
Communication
Central Andes
Fundamental
Intercultural Communication
Transcendental
Ornamentation

ASJC Scopus subject areas

  • Arts and Humanities(all)
  • Social Sciences(all)

Citar esto

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Pintura colonial andina : Estructura simbólica y sincretismo. / Valenzuela, Fernando A.

En: Atenea, Vol. 1, N.º 512, 01.01.2015, p. 153-169.

Resultado de la investigación: Article

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