Pintura colonial andina: Estructura simbólica y sincretismo

Resultado de la investigación: Contribución a una revistaArtículo

Resumen

Andean painting, as a characteristic form of colonial art in the central Andes, constituted an art that was primarily symbolic. Surrounding hierophantic symbols, a medium for the reproduction of the operation of ornamentation was made available in which the exploration of the fundamental structure of the medium of meaning was put at the service of the observation of the transcendental dimension of reality. As a structure of intercultural communication, this mode of organization of communication through images made possible the occurrence of processes of iconographic and stylistic syncretism, which have been the main object of interest in the social history of colonial Andean painting.

Título traducido de la contribuciónColonial andean painting: Symbolic structure and sincretism
Idioma originalEspañol
Páginas (desde-hasta)153-169
Número de páginas17
PublicaciónAtenea
Volumen1
N.º512
DOI
EstadoPublicada - 1 ene 2015

Palabras clave

  • Andean
  • Art
  • Art
  • Art & society
  • Colonial
  • Social systems
  • Systems theory

Áreas temáticas de ASJC Scopus

  • Arte y humanidades (todo)
  • Ciencias sociales (todo)

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