PERFORMATIVIDADES EN LA FRONTERA POÉTICA Y VISUAL: LA LUZ QUE ME CIEGA E INSTALACIONES DE LA MEMORIA

Fernanda Moraga

PERFORMATIVIDADES EN LA FRONTERA POÉTICA Y VISUAL: LA LUZ QUE ME CIEGA E INSTALACIONES DE LA MEMORIA

Facultad de Educación y Ciencias Sociales

Producción científica: Contribución a una revista › Artículo › revisión exhaustiva

Resumen

In this article I propose that the poetic and visual texts La luz que me ciega by Malú Urriola and Paz Errázuriz and Instalaciones de la memoria by Verónica Zóndek and Patricio Luco maintain artistics and politicals proximities that stands on the interdisciplinary dialogue between poetry and photography. Based on this co-presence between word and image, I also propose the performative construction of different artistic-political frontiers that both texts share, which are configured as politics of inclination since they respond critically to the scopic and linguistic regimes that impose what is allowed to be seen and known.

Título traducido de la contribución	PERFORMATIVITIES ON THE POETIC AND VISUAL BORDER: LA LUZ QUE ME CIEGA AND INSTALACIONES DE LA MEMORIA
Idioma original	Español
Páginas (desde-hasta)	98-123
Número de páginas	26
Publicación	Nueva Revista del Pacifico
N.º	77
Estado	Publicada - 2022

Palabras clave

border
performativity
photography
poetry

Áreas temáticas de ASJC Scopus

Lengua y lingüística
Lingüística y lenguaje
Teoría de la literatura

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title = "PERFORMATIVIDADES EN LA FRONTERA PO{\'E}TICA Y VISUAL: LA LUZ QUE ME CIEGA E INSTALACIONES DE LA MEMORIA",

abstract = "In this article I propose that the poetic and visual texts La luz que me ciega by Mal{\'u} Urriola and Paz Err{\'a}zuriz and Instalaciones de la memoria by Ver{\'o}nica Z{\'o}ndek and Patricio Luco maintain artistics and politicals proximities that stands on the interdisciplinary dialogue between poetry and photography. Based on this co-presence between word and image, I also propose the performative construction of different artistic-political frontiers that both texts share, which are configured as politics of inclination since they respond critically to the scopic and linguistic regimes that impose what is allowed to be seen and known.",

keywords = "border, performativity, photography, poetry",

author = "Fernanda Moraga",

note = "Funding Information: This work was supported by the National Institutes of Health, National Institute of Neurological Disorders and Stroke (M.J.H.) Grant No. NIH R01 NS35140. Funding Information: We thank Alicia C. Williams for editorial assistance and Dr. Robert R. Goodman for the intraoperative photograph (Fig. 2 upper). This work was supported by the National Institutes of Health, National Institute of Neurological Disorders and Stroke (M.J.H.) Grant No. NIH R01 NS35140. Publisher Copyright: {\textcopyright} 2022 Universidad de Playa Ancha de Ciencias de la Educacion. All rights reserved.",

year = "2022",

language = "Espa{\~n}ol",

pages = "98--123",

journal = "Nueva Revista del Pacifico",

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publisher = "Universidad de Playa Ancha de Ciencias de la Educacion",

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T2 - LA LUZ QUE ME CIEGA E INSTALACIONES DE LA MEMORIA

AU - Moraga, Fernanda

N1 - Funding Information: This work was supported by the National Institutes of Health, National Institute of Neurological Disorders and Stroke (M.J.H.) Grant No. NIH R01 NS35140. Funding Information: We thank Alicia C. Williams for editorial assistance and Dr. Robert R. Goodman for the intraoperative photograph (Fig. 2 upper). This work was supported by the National Institutes of Health, National Institute of Neurological Disorders and Stroke (M.J.H.) Grant No. NIH R01 NS35140. Publisher Copyright: © 2022 Universidad de Playa Ancha de Ciencias de la Educacion. All rights reserved.

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AB - In this article I propose that the poetic and visual texts La luz que me ciega by Malú Urriola and Paz Errázuriz and Instalaciones de la memoria by Verónica Zóndek and Patricio Luco maintain artistics and politicals proximities that stands on the interdisciplinary dialogue between poetry and photography. Based on this co-presence between word and image, I also propose the performative construction of different artistic-political frontiers that both texts share, which are configured as politics of inclination since they respond critically to the scopic and linguistic regimes that impose what is allowed to be seen and known.

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KW - performativity

KW - photography

KW - poetry

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JO - Nueva Revista del Pacifico

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ER -

PERFORMATIVIDADES EN LA FRONTERA POÉTICA Y VISUAL: LA LUZ QUE ME CIEGA E INSTALACIONES DE LA MEMORIA

Resumen

Palabras clave

Áreas temáticas de ASJC Scopus

Otros archivos y enlaces

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