Paradigma estético y artes decorativas en el Chile republicano. Una aproximación a través de las exposiciones de 1873 y 1875

Solène Bergot, Enrique Vergara Leyton, Claudio Garrido Peña

Resultado de la investigación: Article

Resumen

This article reflects on the change in the aesthetic paradigm which affected the material environment of the Chilean elite in the 1870s. In this respect, it suggests that the shift from a colonial culture towards a new culture of “good taste”, based on Neoclassical and French style, was in line with the national project planned and implemented by the elites after the Independence, a project based on the concepts of modernity and progress. As for material culture, this phenomenon was evident in two spaces in particular: exhibitions as an instance for intervention and palaces as a place for reception and appropriation.

Idioma originalSpanish
Páginas (desde-hasta)179-200
Número de páginas22
PublicaciónAisthesis
Volumen64
EstadoPublished - 1 ene 2018

Huella dactilar

Decorative Arts
Republican
Elites
Aesthetics
Chile
Paradigm
Appropriation
Material Culture
Reception
Good Taste
Colonies
Neo-classical Style
Modernity
Palace
1870s
French Style

ASJC Scopus subject areas

  • Visual Arts and Performing Arts
  • Philosophy
  • Literature and Literary Theory

Citar esto

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Paradigma estético y artes decorativas en el Chile republicano. Una aproximación a través de las exposiciones de 1873 y 1875. / Bergot, Solène; Leyton, Enrique Vergara; Peña, Claudio Garrido.

En: Aisthesis, Vol. 64, 01.01.2018, p. 179-200.

Resultado de la investigación: Article

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