Los museos de arte como mecanismos de inclusión y exclusión social en el arte y en la sociedad

un estudio de caso en Chile

Fernando A. Valenzuela, Alejandro Espinosa, Ignacio Madero-Cabib, Camila Moyano, Francisca Ortiz

Resultado de la investigación: Article

1 Cita (Scopus)

Resumen

This article establishes a sociological theoretical framework that gives sense to the way art museums respond to problems of access and social inclusion. It assumes the theories of differentiation and social exclusion developed by Niklas Luhmann in the broader framework of his theory of social systems. An art museum in Chile was analyzed, based on in-depth interviews with individuals located in different positions in the organization. Confirming previous studies by Paul J. DiMaggio, the article observes that an art museum in Chile has generated internal organizational coalitions, each of which gives meaning to the museum's visitors in a different manner. Applying the theory of social systems, these coalitions are explained by reference to three aspects of a social system of art: a) how it generates a memory of its own, b) how it defines rules for participation, and c) how it is affected by problems of social exclusion that are characteristic of a functionally differentiated society. These coalitions differ from each other with regard to the "patterns of causal attribution" that their members assume when explaining the number of visitors that the museum receives.

Idioma originalSpanish
Páginas (desde-hasta)723-737
Número de páginas15
PublicaciónBoletim do Museu Paraense Emilio Goeldi:Ciencias Humanas
Volumen10
N.º3
DOI
EstadoPublished - 1 sep 2015

Huella dactilar

Chile
museum
exclusion
inclusion
art
social system
coalition
attribution
Society
Art museums
Social Exclusion
Art
Social Inclusion
Social Systems
organization
participation
interview
Causal
In-depth Interviews
Theoretical Framework

ASJC Scopus subject areas

  • Archaeology
  • Language and Linguistics
  • Anthropology
  • Archaeology
  • Linguistics and Language

Citar esto

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abstract = "This article establishes a sociological theoretical framework that gives sense to the way art museums respond to problems of access and social inclusion. It assumes the theories of differentiation and social exclusion developed by Niklas Luhmann in the broader framework of his theory of social systems. An art museum in Chile was analyzed, based on in-depth interviews with individuals located in different positions in the organization. Confirming previous studies by Paul J. DiMaggio, the article observes that an art museum in Chile has generated internal organizational coalitions, each of which gives meaning to the museum's visitors in a different manner. Applying the theory of social systems, these coalitions are explained by reference to three aspects of a social system of art: a) how it generates a memory of its own, b) how it defines rules for participation, and c) how it is affected by problems of social exclusion that are characteristic of a functionally differentiated society. These coalitions differ from each other with regard to the {"}patterns of causal attribution{"} that their members assume when explaining the number of visitors that the museum receives.",
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Los museos de arte como mecanismos de inclusión y exclusión social en el arte y en la sociedad : un estudio de caso en Chile. / Valenzuela, Fernando A.; Espinosa, Alejandro; Madero-Cabib, Ignacio; Moyano, Camila; Ortiz, Francisca.

En: Boletim do Museu Paraense Emilio Goeldi:Ciencias Humanas, Vol. 10, N.º 3, 01.09.2015, p. 723-737.

Resultado de la investigación: Article

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