'Lo único que tengo' en las tomas y en las poblas. El género y sus reescrituras poéticas a partir de Víctor Jara

Nicolás Román

Resultado de la investigación: Contribución a una revistaArtículo

Resumen

Chile since 1950 and till 1970 had a high social and political life, marked by migration between country and city. Trough this period, it was conceived a social rhetoric over development where the working class would take the main role. However, in Victor Jara's Album La población (1972), this representation of the working class bumps into their minority otherness. From this point of view, based on the mentioned album, it is pretended to expose an enunciation made by a vulnerable group of the population: children, elderly people and women, who had been excluded of the rhetoric about social transformation. In this way, these subjects make a feminine and subversive poetic against the rhetoric of progress, generating a breaking off in the representation of the outcasts. To illustrate these strategies of enunciation, will be exposed the different rhetorical resources, included in this album, La Población, and specially the song "Lo único que tengo", where a peasant woman turned proletarian, sings to the creative strength of her hands.

Título traducido de la contribución'Lo único que tengo' in illegal occupations and the suburbs. Gender and rewriting poetic from Victor Jara
Idioma originalEspañol
Páginas (desde-hasta)113-120
Número de páginas8
PublicaciónTaller de Letras
N.º48
EstadoPublicada - 17 oct 2011
Publicado de forma externa

Palabras clave

  • Childhood
  • Feminity
  • Otherness
  • Víctor Jara
  • Working class

Áreas temáticas de ASJC Scopus

  • Teoría de la literatura

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