Espectacularización del crimen: El chacal de Nahueltoro y O bandido da luz vermelha

Resultado de la investigación: Article

1 Cita (Scopus)

Resumen

This article analizes two Latin American films, El chacal de Nahueltoro (Chile, 1969) and O bandido da luz vermelha (Brasil, 1968), under the New Chilean Cinema and Marginal Cinema Brasileiro respectively. From these develops the theme of the spectacle of crime, in both simulacrum and rhetorical strategies of the image, which shows a joint critique of society and the political system that shelters and stands, but also to the passive that consumes.

Idioma originalSpanish
Páginas (desde-hasta)139-156
Número de páginas18
PublicaciónAnales de Literatura Chilena
Volumen14
N.º20
EstadoPublished - 2013

Huella dactilar

Spectacle
Cinema
Chile
Rhetorical Strategies
American Film
Shelter
Political System
Crime
Brasil
Simulacra

ASJC Scopus subject areas

  • Literature and Literary Theory

Citar esto

@article{d09ddcd9bf27495ebcdf012ebd369da9,
title = "Espectacularizaci{\'o}n del crimen: El chacal de Nahueltoro y O bandido da luz vermelha",
abstract = "This article analizes two Latin American films, El chacal de Nahueltoro (Chile, 1969) and O bandido da luz vermelha (Brasil, 1968), under the New Chilean Cinema and Marginal Cinema Brasileiro respectively. From these develops the theme of the spectacle of crime, in both simulacrum and rhetorical strategies of the image, which shows a joint critique of society and the political system that shelters and stands, but also to the passive that consumes.",
keywords = "Crime, Latin American cinema, Simulacrum, Spectacle",
author = "Prado, {Luis Valenzuela}",
year = "2013",
language = "Spanish",
volume = "14",
pages = "139--156",
journal = "Anales de Literatura Chilena",
issn = "0717-6058",
publisher = "Centro de Estudios de Literatura Chilena, Instituto de Letras, Pontificia Universidad Catolica de Chile",
number = "20",

}

TY - JOUR

T1 - Espectacularización del crimen

T2 - El chacal de Nahueltoro y O bandido da luz vermelha

AU - Prado, Luis Valenzuela

PY - 2013

Y1 - 2013

N2 - This article analizes two Latin American films, El chacal de Nahueltoro (Chile, 1969) and O bandido da luz vermelha (Brasil, 1968), under the New Chilean Cinema and Marginal Cinema Brasileiro respectively. From these develops the theme of the spectacle of crime, in both simulacrum and rhetorical strategies of the image, which shows a joint critique of society and the political system that shelters and stands, but also to the passive that consumes.

AB - This article analizes two Latin American films, El chacal de Nahueltoro (Chile, 1969) and O bandido da luz vermelha (Brasil, 1968), under the New Chilean Cinema and Marginal Cinema Brasileiro respectively. From these develops the theme of the spectacle of crime, in both simulacrum and rhetorical strategies of the image, which shows a joint critique of society and the political system that shelters and stands, but also to the passive that consumes.

KW - Crime

KW - Latin American cinema

KW - Simulacrum

KW - Spectacle

UR - http://www.scopus.com/inward/record.url?scp=84905498496&partnerID=8YFLogxK

M3 - Article

AN - SCOPUS:84905498496

VL - 14

SP - 139

EP - 156

JO - Anales de Literatura Chilena

JF - Anales de Literatura Chilena

SN - 0717-6058

IS - 20

ER -