ESCENAS, Protesta y comunidad. Cine y narrativa en Chile y Argentina (2001-2015)

Resultado de la investigación: Article

Resumen

This article proposes an interpretation to the configuration of bodies in their performativity in political marches and/or protests. This performativity will be analyzed from a corpus of Chilean and Argentine novels and films (2001-2015), from which it is argued that, through different aesthetics and contexts, certain collective rethorics arise, in which bodies dissociate from or take on the public and social scene of the community/crowd, inserted in postdictatorial processes, anchored in neoliberal economies. It is in this respect that concepts such as choreography, political performance and performative realization are revised, allowing the analysis of the “political” gesture of intervention or dismissal the protest scene.

Idioma originalSpanish
Páginas (desde-hasta)215-233
Número de páginas19
PublicaciónUniversum
Volumen33
N.º2
DOI
EstadoPublished - 1 ene 2018

Huella dactilar

cinema
Argentina
Chile
protest
narrative
dismissal
community
aesthetics
interpretation
economy
performance
Cinema
Protest
Performativity

ASJC Scopus subject areas

  • Arts and Humanities(all)
  • Social Sciences(all)

Citar esto

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ESCENAS, Protesta y comunidad. Cine y narrativa en Chile y Argentina (2001-2015). / Prado, Luis Valenzuela.

En: Universum, Vol. 33, N.º 2, 01.01.2018, p. 215-233.

Resultado de la investigación: Article

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