Abstract
This article examines the notions of infamy and spectacle/show/performance in Eloy by Carlos Droguett, which allow to establish two lines of analysis arising from a dual confrontation. The first line comes from the tension between the criminal and power, and the second one from textual/verbatim word marks which match a rethoric of the image founded on visuality (luminance, shadow and visibility) and a critical discourse thematization of film as present in Droguett's novel.
| Translated title of the contribution | Visuality, espectacle and infamy. Eloy by Carlos Droguett |
|---|---|
| Original language | Spanish |
| Pages (from-to) | 71-83 |
| Number of pages | 13 |
| Journal | Taller de Letras |
| Issue number | 55 |
| Publication status | Published - 2014 |
ASJC Scopus subject areas
- Literature and Literary Theory
