Abstract
When portraying the contemporary city, film has the capacity of proposing images that, due to the massiveness of the format, become common. Based on the idea that film generates discourse, this article analyses Chilean film production in a post dictatorship period to seek for those images of the city that, by repeatedly appearing on the big screen, end up generating Santiago’s common imaginary.
| Translated title of the contribution | Santiago, a common location: The city in post-dictatorship Chilean cinema |
|---|---|
| Original language | Spanish |
| Pages (from-to) | 94-101 |
| Number of pages | 8 |
| Journal | ARQ |
| Volume | 2015 |
| Issue number | 91 |
| DOIs | |
| Publication status | Published - Dec 2015 |
ASJC Scopus subject areas
- Conservation
- Architecture
- Visual Arts and Performing Arts