PERFORMATIVIDADES EN LA FRONTERA POÉTICA Y VISUAL: LA LUZ QUE ME CIEGA E INSTALACIONES DE LA MEMORIA

Fernanda Moraga

PERFORMATIVIDADES EN LA FRONTERA POÉTICA Y VISUAL: LA LUZ QUE ME CIEGA E INSTALACIONES DE LA MEMORIA

Translated title of the contribution: PERFORMATIVITIES ON THE POETIC AND VISUAL BORDER: LA LUZ QUE ME CIEGA AND INSTALACIONES DE LA MEMORIA

Fernanda Moraga

Education and Social Sciences School

Research output: Contribution to journal › Article › peer-review

Abstract

In this article I propose that the poetic and visual texts La luz que me ciega by Malú Urriola and Paz Errázuriz and Instalaciones de la memoria by Verónica Zóndek and Patricio Luco maintain artistics and politicals proximities that stands on the interdisciplinary dialogue between poetry and photography. Based on this co-presence between word and image, I also propose the performative construction of different artistic-political frontiers that both texts share, which are configured as politics of inclination since they respond critically to the scopic and linguistic regimes that impose what is allowed to be seen and known.

Translated title of the contribution	PERFORMATIVITIES ON THE POETIC AND VISUAL BORDER: LA LUZ QUE ME CIEGA AND INSTALACIONES DE LA MEMORIA
Original language	Spanish
Pages (from-to)	98-123
Number of pages	26
Journal	Nueva Revista del Pacifico
Issue number	77
Publication status	Published - 2022

ASJC Scopus subject areas

Language and Linguistics
Linguistics and Language
Literature and Literary Theory

Cite this

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title = "PERFORMATIVIDADES EN LA FRONTERA PO{\'E}TICA Y VISUAL: LA LUZ QUE ME CIEGA E INSTALACIONES DE LA MEMORIA",

abstract = "In this article I propose that the poetic and visual texts La luz que me ciega by Mal{\'u} Urriola and Paz Err{\'a}zuriz and Instalaciones de la memoria by Ver{\'o}nica Z{\'o}ndek and Patricio Luco maintain artistics and politicals proximities that stands on the interdisciplinary dialogue between poetry and photography. Based on this co-presence between word and image, I also propose the performative construction of different artistic-political frontiers that both texts share, which are configured as politics of inclination since they respond critically to the scopic and linguistic regimes that impose what is allowed to be seen and known.",

keywords = "border, performativity, photography, poetry",

author = "Fernanda Moraga",

note = "Funding Information: This work was supported by the National Institutes of Health, National Institute of Neurological Disorders and Stroke (M.J.H.) Grant No. NIH R01 NS35140. Funding Information: We thank Alicia C. Williams for editorial assistance and Dr. Robert R. Goodman for the intraoperative photograph (Fig. 2 upper). This work was supported by the National Institutes of Health, National Institute of Neurological Disorders and Stroke (M.J.H.) Grant No. NIH R01 NS35140. Publisher Copyright: {\textcopyright} 2022 Universidad de Playa Ancha de Ciencias de la Educacion. All rights reserved.",

year = "2022",

language = "Espa{\~n}ol",

pages = "98--123",

journal = "Nueva Revista del Pacifico",

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publisher = "Universidad de Playa Ancha de Ciencias de la Educacion",

number = "77",

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AU - Moraga, Fernanda

N1 - Funding Information: This work was supported by the National Institutes of Health, National Institute of Neurological Disorders and Stroke (M.J.H.) Grant No. NIH R01 NS35140. Funding Information: We thank Alicia C. Williams for editorial assistance and Dr. Robert R. Goodman for the intraoperative photograph (Fig. 2 upper). This work was supported by the National Institutes of Health, National Institute of Neurological Disorders and Stroke (M.J.H.) Grant No. NIH R01 NS35140. Publisher Copyright: © 2022 Universidad de Playa Ancha de Ciencias de la Educacion. All rights reserved.

PY - 2022

Y1 - 2022

N2 - In this article I propose that the poetic and visual texts La luz que me ciega by Malú Urriola and Paz Errázuriz and Instalaciones de la memoria by Verónica Zóndek and Patricio Luco maintain artistics and politicals proximities that stands on the interdisciplinary dialogue between poetry and photography. Based on this co-presence between word and image, I also propose the performative construction of different artistic-political frontiers that both texts share, which are configured as politics of inclination since they respond critically to the scopic and linguistic regimes that impose what is allowed to be seen and known.

AB - In this article I propose that the poetic and visual texts La luz que me ciega by Malú Urriola and Paz Errázuriz and Instalaciones de la memoria by Verónica Zóndek and Patricio Luco maintain artistics and politicals proximities that stands on the interdisciplinary dialogue between poetry and photography. Based on this co-presence between word and image, I also propose the performative construction of different artistic-political frontiers that both texts share, which are configured as politics of inclination since they respond critically to the scopic and linguistic regimes that impose what is allowed to be seen and known.

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KW - performativity

KW - photography

KW - poetry

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SN - 0716-6346

SP - 98

EP - 123

JO - Nueva Revista del Pacifico

JF - Nueva Revista del Pacifico

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ER -

PERFORMATIVIDADES EN LA FRONTERA POÉTICA Y VISUAL: LA LUZ QUE ME CIEGA E INSTALACIONES DE LA MEMORIA

Abstract

ASJC Scopus subject areas

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