From the Pythagorean conception of Nature as harmony, Schelling gives the music an ambivalence place: on the one hand is the most "physics" of the arts, on the other, as it expresses the "pure movement" is the most spiritual. This ambivalence, however, fails to hide his undoubted romantic stamp. The music finally - which hides metaphysics - is an expression of nature itself in statu nascendi.
|Translated title of the contribution||The harmony of the invisible: Music as pure movement in schelling|
|Number of pages||14|
|Publication status||Published - 2015|
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